Fujifilm announced their first X-System camera, the X-PRO1, way back in 2012. Initially suffering from a lack of lens options, the system has since grown to include over two dozen lenses, with many more added every year. Third party lens offerings are equally increasing in numbers.
A few years ago I did not get the fuss that some photographers made about tripods. At that point, all I wanted was a stable platform for my camera. I had a reasonably priced aluminium tripod that came up to eye-level. You could even attach a camera to it, so what more could I possibly have wanted?
A little later I found that tripods are like lenses: You are always one short of what you think you need. My affordable jack-of-all-trades tripod was soon replaced by a sturdier version for commercial work. Since it was a bit on the hefty side I decided to add a half-height tripod for camping trips in the mountains to my collection. Did I mention shooting in the ocean yet? Salt water does funny things to a tripod, so I added a waterproof one to my collection. You see where this is going …
For years I had been shooting alongside photographers who use panoramic heads. For my style of photography I never really saw the need. I would shoot the odd single-row panorama, but I was totally fine doing so with a standard tripod head.
As more panoramas started creeping into my work, I encountered more issue with panoramas that would not stitch properly. Ridges in the distance would not align or my foregrounds had zig-zag patterns of misalignment running through them.
This is not a fully fledged review. If you are after a comprehensive analysis by someone who has spent weeks with the GFX you will be bitterly disappointed. What you will find here are honest first impressions by a not-so-very-technical guy who makes a living with photography. Chances are that I got some things wrong in the little time that I had with the camera. I will trust you take my musings with a grain of salt.
In the spirit of full disclosure you should also know that I am a Fujifilm X-Photographer. The Fujifilm NZ team was so kind to provide me with a sample GFX and assorted lenses for some personal testing. Why they trusted me with kit equivalent to the value of a mid-range car is beyond me, but hey, you know the one about gift horses!
How to combine an ergonomic day pack and a camera insert to create a pain-free alternative to classic photography backpacks.
I’m 38 years old, and I’m a bit of a wreck. A lifetime spent behind a desk combined with bad luck playing the genetic lottery will do that to you. I love tramping (aka hiking, if you are a non-Kiwi), but years ago I was not enjoying the experience any more. Back and neck pain had finally caught up with my sedentary lifestyle. It was time to find a new carrying system.
I fell in love with Aarn Packs, a New Zealand outdoor gear company that specialises in ergonomic backpacks (or bodypacks, as they call them), after exploring the market for a while. Considering that they completely reinvented backpacks, that’s a bit of an understatement. I started using one of their bigger overnight packs and my pain just went away.